Maria Del Sapio Garbero, Shakespeare’s Ruins and Myth of Rome (New York and London: Routledge, 2022).
Michela Compagnoni, “Interdisciplinary Uses of Digital Editions for Italian Highschool Students: Shakespeare’s Cymbeline and The Silvano Toti Globe Theatre Archive”, Lingue e Linguaggi, special issue on Experiencing Shakespeare in a Digital Environment, ed. by Maddalena Pennacchia, Alessandra Squeo and Reto Winckler, 45, 2021, pp. 95-110.
Michela Compagnoni, “Blending Motherhoods: Volumnia and the Representation of Maternity in William Shakespeare’s Coriolanus”, in Roman Women in Shakespeare and His Contemporaries, ed. by Domenico Lovascio, Kalamazoo, Medieval Institute Publications, 2020, pp. 39-58.
Maddalena Pennacchia, “Intermedial Props in Shakespeare’s Roman Plays”, in Shakespeare. Visions of Rome, special issue ed. by D. Lovascio, Journal of the British Shakespeare Association, 2019, pp. 1-9.
Maddalena Pennacchia, “Performance History”, in D. Lovascio (ed.), Antony and Cleopatra: A Critical Reader, Londra, Bloomsbury Arden Shakespeare, 2019, pp. 55-88.
Gilberto Sacerdoti, “Giordano Bruno in England. From London to Rome”, in The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture, ed. by Michele Marrapodi, London 2019, pp. 192-217.
Gilberto Sacerdoti, “Il sogno di Cleopatra”, in Il pensiero e l’emozione. La rappresentazione del sogno nella letteratura, a cura di Andreina Lavagetto, Pacini, 2019, pp. 37-52.
Maria Del Sapio Garbero (ed.), Rome in Shakespeare’s World, Roma, Edizioni Storia e Letteratura, 2018.
Maria Del Sapio Garbero, “Lucrece’s Tabula Anatomica: Identity, Possession and Self-Possession in Shakespeare’s Roman Play”, in M. Del Sapio Garbero (ed.), Shakespeare and the New Science in Early Modern Culture / Shakespeare e la nuova scienza nella cultura early modern, Pisa, Pacini, 2016, pp. 171-214. [Contents]
Maria Del Sapio Garbero, “Disowning the Bond: Coriolanus’s Forgetful Humanism”, in M. Marrapodi, ed., Shakespeare and the Italian Renaissance. Appropriation, Transformation, Opposition, Farnham and Burlington, Ashgate, 2014, pp.73-91.
Gilberto Sacerdoti, Antonio e Cleopatra (traduzione, introduzione e note), in W. Shakespeare, Tutte le opere, vol. I, Le tragedie, a cura di F. Marenco, Bompiani, Milano, 2014 (ISBN 978-88-4527752-8).
Maria Del Sapio Garbero, “Caritas Romana: il tragico del femminile nel King Lear”, in William Shakespeare. Il Senso del Tragico, a cura di Simonetta de Filippis, Napoli, Loffredo Editore, 2013, pp.113-136.
Maddalena Pennacchia, “Shakespeare for Beginners: The Animated Tales from Shakespeare and the Case Study of Julius Caesar”, in Anja Müller (ed.), Adapting Canonical Texts in Children’s Literature, Bloomsbury Academic, London and New York, 2013, pp. 59-75.
Maddalena Pennacchia Punzi, Shakespeare intermediale. I drammi romani, Spoleto, Editoria & Spettacolo, 2012.
Nancy Isenberg, “‘Caesar’s word against the world’: Caesarism and the Discourse of Empire”, in I. R. Makaryk and M. Mchugh (eds), Shakespeare and the Second World War. Memory, Culture, Identity, Toronto Buffalo London, University of Toronto Press, 2012, pp. 83-105.
Maria Del Sapio Garbero, N. Isenberg, M. Pennacchia, eds., Questioning Bodies in Shakespeare’s Rome, Gӧttingen, V&R Unipress, 2010. [Contents]
Maria Del Sapio Garbero, ed., Identity, Otherness and Empire in Shakespeare’s Rome, Farnham and Burlington, Ashgate, 2009. Reprinted by Routledge (paperback), 2016. [Contents]
Gilberto Sacerdoti, Nuovo cielo, nuova terra. La rivoluzione copernicana di “Antonio e Cleopatra” di Shakespeare, Roma, Edizioni di Storia e Letteratura, [1990] 2008.
Maria Del Sapio Garbero, “Imogen o il cerchio rapito”, in ID, Il bene ritrovato. Le figlie di Shakespeare dal King Lear ai romances, Roma, Bulzoni, 2005, pp. 185-227.