{"id":271,"date":"2017-04-27T11:29:13","date_gmt":"2017-04-27T09:29:13","guid":{"rendered":"http:\/\/sriss.uniroma3.it\/?page_id=271"},"modified":"2022-04-11T16:59:15","modified_gmt":"2022-04-11T14:59:15","slug":"publications","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/sriss\/shakespeares-rome-project\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Maria Del Sapio Garbero, Shakespeare\u2019s Ruins and Myth of Rome<\/em><\/a> (New York and London: Routledge, 2022).<\/span><\/p>\n

Michela Compagnoni, \u201cInterdisciplinary Uses of Digital Editions for Italian Highschool Students: Shakespeare\u2019s Cymbeline<\/em> and The Silvano Toti Globe Theatre Archive\u201d, Lingue e Linguaggi,<\/em> special issue on Experiencing Shakespeare in a Digital Environment<\/em>, ed. by Maddalena Pennacchia, Alessandra Squeo and\u00a0 Reto Winckler, 45, 2021, pp. 95-110.<\/p>\n

Michela Compagnoni, \u201cBlending Motherhoods: Volumnia and the Representation of Maternity in William Shakespeare\u2019s Coriolanus<\/em>\u201d, in Roman Women in Shakespeare and His Contemporaries<\/em>, ed. by Domenico Lovascio, Kalamazoo, Medieval Institute Publications, 2020, pp. 39-58.
<\/span><\/p>\n

Maddalena Pennacchia, \u201cIntermedial Props in Shakespeare\u2019s Roman Plays\u201d, in <\/span>Shakespeare. Visions of Rome<\/i><\/span>, special issue ed. by D. Lovascio, Journal of the British Shakespeare Association, 2019, pp. 1-9.<\/span><\/p>\n

Maddalena Pennacchia, \u201cPerformance History\u201d, in D. Lovascio (ed.), <\/span>Antony and Cleopatra: A Critical Reader<\/i><\/span>, Londra, Bloomsbury Arden Shakespeare, 2019, pp. 55-88.<\/span><\/p>\n

Gilberto Sacerdoti, \u201cGiordano Bruno in England. From London to Rome\u201d, in The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture<\/em>, ed. by Michele Marrapodi, London 2019, pp. 192-217.<\/p>\n

Gilberto Sacerdoti, \u201cIl sogno di Cleopatra\u201d, in Il pensiero e l\u2019emozione. La rappresentazione del sogno nella letteratura<\/em>, a cura di Andreina Lavagetto, Pacini, 2019, pp. 37-52.<\/p>\n

Maria Del Sapio Garbero (ed.), Rome in Shakespeare’s World<\/em><\/a>, Roma, Edizioni Storia e Letteratura, 2018.<\/p>\n

Maria Del Sapio Garbero, \u201cLucrece\u2019s Tabula Anatomica: Identity, Possession and Self-Possession in Shakespeare\u2019s Roman Play\u201d, in\u00a0 M. Del Sapio Garbero (ed.), Shakespeare and the New Science in Early Modern Culture \/ Shakespeare e la nuova scienza nella cultura<\/em> early modern, Pisa, Pacini, 2016, pp. 171-214. [Contents<\/a>]<\/p>\n

Maria Del Sapio Garbero, \u201cDisowning the Bond:\u00a0Coriolanus\u2019s Forgetful Humanism\u201d, in M. Marrapodi, ed., Shakespeare and the Italian Renaissance<\/em>. Appropriation, Transformation, Opposition<\/em>, Farnham and Burlington, Ashgate, 2014, pp.73-91.<\/p>\n

Gilberto Sacerdoti, Antonio e Cleopatra<\/em>\u00a0(traduzione, introduzione e note), in W. Shakespeare,\u00a0Tutte le opere, vol. I, Le tragedie<\/em>, a cura di F. Marenco, Bompiani, Milano, 2014 (ISBN 978-88-4527752-8).<\/p>\n

Maria Del Sapio Garbero, \u201cCaritas Romana: il tragico del femminile nel King Lear<\/em>\u201d, in William Shakespeare. Il Senso del Tragico<\/em>, a cura di Simonetta de Filippis, Napoli, Loffredo Editore, 2013, pp.113-136.<\/p>\n

Maddalena Pennacchia, \u201cShakespeare for Beginners: The\u00a0Animated Tales from Shakespeare<\/em>\u00a0and the Case Study of\u00a0Julius Caesar<\/em>\u201d, in Anja M\u00fcller (ed.),\u00a0Adapting Canonical Texts in Children\u2019s Literature<\/em>, Bloomsbury Academic, London and New York, 2013, pp. 59-75.<\/p>\n

Maddalena Pennacchia Punzi, Shakespeare intermediale. I drammi romani<\/em>, Spoleto, Editoria & Spettacolo, 2012.<\/p>\n

Nancy Isenberg, \u201c\u2018Caesar\u2019s word against the world\u2019: Caesarism and the Discourse of Empire\u201d, in I. R. Makaryk and M. Mchugh (eds), Shakespeare and the Second World War. Memory, Culture, Identity<\/em>, Toronto Buffalo London, University of Toronto Press, 2012, pp. 83-105.<\/p>\n

Maria Del Sapio Garbero, N. Isenberg, M. Pennacchia, eds., Questioning Bodies in Shakespeare\u2019s Rome<\/em>, G\u04e7ttingen,\u00a0 V&R Unipress, 2010. [Contents<\/a>]<\/p>\n

Maria Del Sapio Garbero, ed., Identity, Otherness and Empire in Shakespeare\u2019s Rome<\/em>, Farnham and Burlington, Ashgate, 2009. Reprinted by Routledge (paperback), 2016. [Contents<\/a>]<\/p>\n

Gilberto Sacerdoti, Nuovo cielo, nuova terra. La rivoluzione copernicana di \u201cAntonio e Cleopatra\u201d di Shakespeare<\/em>, Roma, Edizioni di Storia e Letteratura, [1990] 2008.<\/p>\n

Maria Del Sapio Garbero, \u201cImogen o il cerchio rapito\u201d, in ID, Il bene ritrovato. Le figlie di Shakespeare dal <\/em>King Lear ai romances, <\/em>Roma, Bulzoni, 2005, pp. 185-227.<\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Maria Del Sapio Garbero, Shakespeare\u2019s Ruins and Myth of Rome (New York and London: Routledge, 2022). Michela Compagnoni, \u201cInterdisciplinary Uses of Digital Editions for Italian Highschool Students: Shakespeare\u2019s Cymbeline and The Silvano Toti Globe Theatre Archive\u201d, Lingue e Linguaggi, special issue on Experiencing Shakespeare in a Digital Environment, ed. by\u2026<\/p>\n

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