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Bionote<\/strong><\/p>\n Maddalena Pennacchia is Full Professor of English Literature at Roma Tre University. Selected Shakespearean publications<\/strong><\/p>\n “Esplorare la commedia romantica shakespeariana al Silvano Toti Globe Theatre di Roma Conversazione con Loredana Scaramella (parte prima)”, Mimesis Journal<\/em>, 9(2) (2020), 129-144.<\/p>\n “Shakespearean Actors and Hollywood Stars: Stage and Screen Celebrities in My Week with Marilyn (2011) and Burton and Taylor (2013)”, TEXTUS<\/em>, XXXIII (2) (2020), 129-148.<\/p>\n Shakespeare and Tourism. Place, Memory, Participation<\/em>, co-edited with Marta Minier, ESI, Napoli, 2019.<\/p>\n \u201cTheatre Strikes Back in the Digital Era: An Interview with Stephan Wolfert\u201d, Multicultural Shakespeare: Translation, Appropriation and\u00a0 Performance<\/em>, vol. 20 (35), 2019 pp. 37-49.<\/p>\n \u201cIntermedial Props in Shakespeare\u2019s Roman Plays\u201d, Shakespeare<\/em>, 2019, DOI: 10.1080\/17450918.2019.1649303, pp. 1-9.<\/p>\n \u2018\u201cBut not love [\u2026]\u201d: An interview with Loredana Scaramella about her translation, adaptation and direction of La bisbetica domata (The Taming of the Shrew) at the Silvano Toti Globe Theatre in Rome (2018)\u2019, Journal of Adaptation in Film & Performance<\/em> 12:1+2, 2019, pp. 91\u2013106, doi: 10.1386\/jafp.12.1-2.91_1.<\/p>\n \u201cRoman Shakespeare and Adaptation: A Short Survey of the Silent Films\u201d, in M. Del Sapio Garbero (ed),\u00a0Rome in Shakespeare\u2019s World<\/em>, Roma, Edizioni di Storia e Letteratura, 2018, pp. 241-58.<\/p>\n \u201cIntermedial Products for Digital Natives: British Theatre-Cinema on Italian Screens\u201d,\u00a0Cartographier (l\u2019interm\u00e9dialit\u00e9) \/ Mapping (Intermediality)<\/em>\u201c,\u00a0Interm\u00e9dialit\u00e9,\u00a0<\/em>no 30-31 (Fall 2017 Spring 2018) Digital publication July 10 2018<\/p>\n \u201cPerformance Review\u00a0Della rovina, di tempo e di bellezza: Shakespeare e il destino di Roma<\/em>, a Palladium Theatre Production (2016)\u201d,\u00a0Textus<\/em>, 29.3 (2017), pp. 213-218.<\/p>\n “Shakespeare’s Puppets: The Tempest<\/em> and The Winter’s Tale<\/em> in the Animated Tales<\/em>“, in Sarah Hatchuel and Nathalie Vienne-Guerrin (eds), Shakespeare on Screen. <\/em>The Tempest and Late Romances<\/em>, Cambridge, Cambridge University Press, 2017, pp. 133-146.<\/p>\n \u201cEsperimenti d\u2019illusionismo ottico nella\u00a0Tempesta<\/em>: Shakespeare e Julie Taymor\u201d, in Del Sapio Garbero, Maria (ed.),\u00a0\u00a0Shakespeare e la nuova scienza nella cultura\u00a0<\/em>early modern\u00a0\/ Shakespeare and the New Science in Early Modern Culture<\/em>, Collana \u201cStudi di Letterature Moderne e Comparate\u201d, Pisa, Pacini Editore, 2016, pp. 293-310.<\/p>\n \u201cShakespeare for Beginners: The\u00a0Animated Tales from Shakespeare<\/em>\u00a0and the Case Study of\u00a0Julius Caesar<\/em>\u201d, in Anja M\u00fcller (ed.),\u00a0Adapting Canonical Texts in Children\u2019s Literature<\/em>, London and New York, Bloomsbury Academic, 2013, pp. 59-75.<\/p>\n Shakespeare intermediale. I drammi romani<\/em>, Spoleto, Editoria & Spettacolo, 2012, pp. 255.<\/p>\n \u201cStones on Canvas and on Stage: Early Earth Sciences in Leonardo\u2019s\u00a0Virgin of the Rocks<\/em>\u00a0and Shakespeare\u2019s\u00a0The Tempest<\/em>\u201d, in\u00a0Dialoge zwischen Wissenschaft, Kunst und Literatur<\/em>, ed. by Klaus Bergdolt and Manfred Pfister, Wolfenb\u00fctteler Abhandlungen zur Renaissance-forschung, 27, Harrassowitz, Wiesbaden, 2011, pp. 71-85.<\/p>\n \u201cA Map of the Essays\u201d e \u201cThe Stones of Rome: Early Earth Sciences in\u00a0Julius Caesar<\/em>\u00a0and\u00a0Coriolanus<\/em>\u201d, in\u00a0Questioning Bodies in Shakespeare\u2019s Rome<\/em>, ed. by M. Del Sapio Garbero, N. Isenberg and M. Pennacchia, Gottingen, V& R Press, 2010, pp. 21-30 e pp. 309-26.<\/p>\n \u201cFemale Marginalia: Handkerchiefs at the Borders of Tudor History\u201d, in C. Dente and S. Orgel (eds.),\u00a0Textus.Marginal Textualities<\/em>, XXII-3, 2009, pp. 699-713.<\/p>\n \u201cAntony\u2019s Ring: Remediating Ancient Rhetoric on the Elizabethan Stage\u201d, in\u00a0Identity, Otherness and Empire in Shakespeare\u2019s Rome<\/em>, ed. by M. Del Sapio Garbero, Farnham\/ Burlington VT, Ashgate,\u00a0 2009, pp. 49-59.<\/p>\n \u00abOthello<\/em>\u00a0fiorisce a Bollywood:\u00a0Omkara<\/em>\u00a0di Vishal Bharadwaj\u00bb, in\u00a0Postcolonial Shakespeare<\/em>, a cura di Masolino D\u2019Amico e Simona Corso, Roma, Edizioni di Storia e Letteratura, 2009, pp. 231-250.<\/p>\n Tracce del moderno nel teatro di Shakespeare<\/em>, Napoli, ESI, 2008, pp. 124.<\/p>\n \u00abWilliam Shakespeare, Mme de Stael and the Politics of Translation\u00bb,\u00a0Folio.\u00a0Shakspeare- Genootschap van Nederland en Vlaanderen<\/em>, 13-1, 2006, pp. 9-20.<\/p>\n","protected":false},"excerpt":{"rendered":" Bionote Maddalena Pennacchia is Full Professor of English Literature at Roma Tre University. She is the author of\u00a0Shakespeare intermediale. I drammi romani\u00a0(Editoria & Spettacolo 2012) and\u00a0Tracce del moderno nel teatro di Shakespeare\u00a0(ESI 2008); she edited Literary Intermediality\u00a0(Peter Lang 2007) and co-edited Questioning Bodies in Shakespeare\u2019s Rome\u00a0(V&R Unipress 2010),\u00a0Adaptation, Intermediality and\u2026<\/p>\n
\nShe is the author of\u00a0Shakespeare intermediale. I drammi romani<\/em>\u00a0(Editoria & Spettacolo 2012) and\u00a0Tracce del moderno nel teatro di Shakespeare<\/em>\u00a0(ESI 2008); she edited Literary Intermediality<\/em>\u00a0(Peter Lang 2007) and co-edited Questioning Bodies in Shakespeare\u2019s Rome<\/em>\u00a0<\/em>(V&R Unipress 2010),\u00a0Adaptation, Intermediality and the British Celebrity Biopic<\/em>\u00a0(Ashgate 2014), Turismo creativo e identit\u00e0 culturale<\/em> (Roma TrE-Press, 2015), Shakespeare and Tourism<\/em> (ESI, 2019).
\nShe authored a bio-fiction for children,\u00a0Shakespeare e il sogno di un\u2019estate<\/em>\u00a0(Lapis 2009) which was translated into Spanish (2013) and Romanian (2016).
\nShe has written\u00a0extensively on Shakespeare (and more specifically Roman Shakespeare on screen and early earth sciences in Shakespearean plays). Her other current areas of research are intermediality and adaptation studies, the biopic, literary tourism, children\u2019s literature, Jane Austen on screen, Bollywood adaptations of English literary classics. She was a member of the Steering Committee of IASEMS (Italian Association of Shakespearean and Early Modern Studies) from 2009 to 2012 and is a delegate member of the Stratford International Shakespeare Conference. She is general co-editor of the book series\u00a0Turismi e culture<\/em>\u00a0(Roma TrE-Press) and a member of the editorial board of Biblioteca di Studi inglesi<\/em>\u00a0(Edizioni di Storia e Letteratura); she is a member of the editorial and advisory board of the\u00a0Journal of Adaptation in Film and Performance<\/em>\u00a0(Intellect), where she serves as\u00a0reviews editor.
\nIn 2016 she performed as onscreen scientific consultant for the TV series Shakespeare Class<\/em> (RAI Scuola) and L\u2019Italia di Shakespeare, Viaggio nella bellezza<\/em> (RAI Storia). In 2020 her programme for secondary school students called “Learning English with Shakespeare” in collaboration with the Silvano Toti Gobe Theatre became a documentary for RAI Scuola and is now available on RAIPlay.
\nShe co-convened the International Conference ESRA 2019<\/a> at Roma Tre.
\nShe is Project Director of the Silvano Toti Globe Theatre Archive.<\/p>\n