{"id":1329,"date":"2019-09-05T15:24:57","date_gmt":"2019-09-05T13:24:57","guid":{"rendered":"http:\/\/lingueletteratureculturestraniere.uniroma3.it\/bacheca\/sriss\/?page_id=1329"},"modified":"2019-09-05T15:24:57","modified_gmt":"2019-09-05T13:24:57","slug":"laura-dangelo","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/sriss\/about-us\/laura-dangelo\/","title":{"rendered":"Laura D’Angelo"},"content":{"rendered":"\n
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Bionote<\/strong> <\/p>\n\n\n\n

Laura D\u2019Angelo is an art historian, a post-graduate fellow at Roma Tre University in 2018 and a member of the Faculty of Architecture at the University of Arkansas Rome program since 2016. She attended the European Master in History of Architecture (Academy of Saint Luke and Roma Tre University) directed by Giorgio Ciucci and Marida Talamona in 2004 and completed her PhD in Art History at Roma Tre University in 2008 with a thesis on the role of Giulio Aristide Sartorio in post-unification Italian culture. <\/p>\n\n\n\n

She worked as a researcher\nin Italian and international Museums such as the Louvre in Paris, the National\nGallery of Modern Art and the Academy of Saint Luke in Rome, and she has been\nteaching at Roma Tre University as free-lance lecturer since 2000 (Departments of\nHumanities and Architecture).<\/p>\n\n\n\n

Laura D\u2019Angelo\u2019s academic background focuses on XIX and XX centuries art\nand architecture but in the last ten years her studies have been centered mainly\non 1950s-1980s, as she took part within Roma Tre unit in two Projects of\nNational Interests (PRIN) – 2010 (Multiplied art. Visual culture at Rome between magazines and\nreviews, from 1950s and 1980s) <\/em>and 2017 (The\ncontemporary art exhibitions in the Italian private art galleries: the crucial\ndecades 1960s – 1980s<\/em>). She was also consultant for the Giuseppe Capogrossi and Giacomo Manz\u00f9\nArt Foundation for over ten years until 2016. <\/p>\n\n\n\n

In 2014 she was co-curator of the exhibition Manz\u00f9\/Marino. Gli Ultimi moderni<\/em>\nset at the Fondazione Magnani Rocca in Parma and in 2016 she was assistant curator of the exhibition Giacomo\nManz\u00f9 and the challenge of a new spirituality<\/em> curated by prof. Barbara\nCinelli and set at Castel Sant\u2019Angelo Museum in Rome. <\/p>\n\n\n\n

At the UARK Rome program she teaches\nthe following full-term courses: Human Behavior and Early History of Modern\nArchitecture.<\/p>\n\n\n\n

PUBLISHED\nWORKS<\/strong><\/p>\n\n\n\n

Le porte di Manz\u00f9 <\/em>and Manz\u00f9\ne le Porte di San Pietro. Una ricostruzione documentaria <\/em>in Manz\u00f9.\nDialoghi sulla spiritualit\u00e0 con Lucio Fontana,<\/em> exhibition catalogue curated by Barbara Cinelli with Davide Colombo,\nNational Museum of Castel Sant’Angelo, Museo Giacomo Manz\u00f9, Ardea, 8 December\n2016 – 5 March 2017, Electa, Milan 2016.<\/p>\n\n\n\n

Giuseppe Capogrossi e l\u2019immagine\ndell\u2019astrattismo borghese: Come la rivoluzione del segno entr\u00f2 nelle case degli\nitaliani<\/em>, in Caro Capogrossi\nti scrivo. <\/em>Index\nof correspondents 1950s- 1970s<\/em>, curated by Laura D\u2019Angelo and Ileana Pansino,  Scalpendi, Milan 2017.  <\/p>\n\n\n\n

L\u2019artista e il suo modello. I casi esemplari di Giacomo Manz\u00f9 e Marino\nMarini <\/em>in Manz\u00f9\/Marino.\nGli Ultimi moderni<\/em>, Fondazione Magnani Rocca, 13\nsettembre \u2013 8 dicembre 2014, exhibition catalogue curated by Laura D\u2019Angelo and\nStefano Roffi, Silvana editoriale, Cinisello Balsamo 2014.<\/p>\n\n\n\n

Ri-costruire l\u2019Italia attraverso l\u2019immagine degli\nartisti: il caso di Giacomo Manz\u00f9<\/em>, \u201cStudi di Memofonte\u201d, 11, 2013.<\/em><\/p>\n\n\n\n

La strategia per un\u2019immagine di artista accessibile: Raffaele\nCarrieri su \u201cEpoca\u201d <\/em>in Arte moltiplicata. l’immagine del ‘900 nello specchio dei<\/em> <\/em>rotocalchi<\/em>, curated  by B. Cinelli, F. Fergonzi, M.G. Messina, A.\nNegri, Bruno Mondadori, Milan-Turin 2013.<\/em><\/p>\n\n\n\n

Lettere a Capogrossi <\/em>in\nCapogrossi: una\nretrospettiva<\/em>, curated by Luca Massimo\nBarbero, Venice, Peggy Guggenheim Collection, Marsilio, Venice 2012.<\/p>\n\n\n\n

L\u2019immagine dell\u2019artista nell\u2019Italia del miracolo economico <\/em>in Quinterni\/5 <\/em>of Department of Fine Arts, University of Roma Tre curated by\nAntonello Frongia and Rita Dolce, Libro Co, San Casciano 2012.<\/p>\n\n\n\n

L\u2019ordinamento del 1915 nel dibattito sullo stile nazionale e sulla\nrestaurazione dell\u2019arte italiana <\/em>in\nLa Galleria\nNazionale d\u2019Arte Moderna, Cronache e storia. 1911 \u2013 2011, <\/em>curated by Stefania Frezzotti and Patrizia <\/em>Rosazza Ferraris, Palombi,\nRome 2011.<\/p>\n\n\n\n

Roma fin de si\u00e8cle tra nostalgia e\nmodernismo: la testimonianza delle comunit\u00e0 protestanti di Saint Paul\u2019s e All\nSaints\u2019<\/em> in \u201cMetamorfosi della citt\u00e0. Spazi urbani e forme di vita\nnella cultura occidentale\u201d  Collection of\nConference papers. Rome Tre University, Rome, 30 november \u2013 1 december 2001. Editori Riuniti\nAssociati, Rome<\/p>\n","protected":false},"excerpt":{"rendered":"

Bionote Laura D\u2019Angelo is an art historian, a post-graduate fellow at Roma Tre University in 2018 and a member of the Faculty of Architecture at the University of Arkansas Rome program since 2016. She attended the European Master in History of Architecture (Academy of Saint Luke and Roma Tre University)\u2026<\/p>\n

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