{"id":424,"date":"2019-08-02T16:02:56","date_gmt":"2019-08-02T14:02:56","guid":{"rendered":"http:\/\/filosofiacomunicazionespettacolo.uniroma3.it\/hpat\/?page_id=424"},"modified":"2019-08-02T16:02:56","modified_gmt":"2019-08-02T14:02:56","slug":"contemporary-resonances","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/hpat\/texts\/contemporary-resonances\/","title":{"rendered":"Contemporary Resonances"},"content":{"rendered":"\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/08\/3.-Iannelli-Der-Prophet-der-H\u00e4retiker-der-Post-Pop-Philosoph-und-die-ausgebliebene-Apokalypse-oder-Hegel-Belting-und-Danto-\u00fcber-die-Kunst-und-ihr-Los-2015.pdf\">Francesca Iannelli, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/08\/3.-Iannelli-Der-Prophet-der-H\u00e4retiker-der-Post-Pop-Philosoph-und-die-ausgebliebene-Apokalypse-oder-Hegel-Belting-und-Danto-\u00fcber-die-Kunst-und-ihr-Los-2015.pdf\">Der Prophet, der H\u00e4retiker, der Post-Pop-Philosoph und die ausgebliebene Apokalypse&nbsp; oder Hegel, Belting und Danto \u00fcber die Kunst und ihr Los<\/a>.<\/em><\/p>\n\n\n\n<p>In: Das Ende der Kunst als Anfang&nbsp; freier Kunst. Hrsg. von K. Vieweg, F. Iannelli, F. Vercellone, Fink, M\u00fcnchen 2015, S. 117-132.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Pitillo_-PREMESSA-Rebentisch.pdf\">Federica Pitillo, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Pitillo_-PREMESSA-Rebentisch.pdf\">Premessa<\/a><\/em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Pitillo_-PREMESSA-Rebentisch.pdf\"> a Juliane Rebentisch, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Pitillo_-PREMESSA-Rebentisch.pdf\">La moralit\u00e0 dell\u2019ironia. Hegel e la modernit\u00e0<\/a><\/em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Pitillo_-PREMESSA-Rebentisch.pdf\">.<\/a><\/p>\n\n\n\n<p>Inschibboleth, Roma 2019.&nbsp; <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/13.-PITILLO_Estratto-GC1-2019.pdf\">Federica Pitillo, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/13.-PITILLO_Estratto-GC1-2019.pdf\">Il concetto di plasticit\u00e0 tra dialettica e neuroscienze: Catherine Malabou interprete di Hegel.<\/a><\/em><\/p>\n\n\n\n<p>In:\nGiornale critico della filosofia italiana, Settima Serie, Vol. XV, <br>\nANNO XCVIII (C), FASC. I, pp. 219-232.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Francesca Iannelli, Der Prophet, der H\u00e4retiker, der Post-Pop-Philosoph und die ausgebliebene Apokalypse&nbsp; oder Hegel, Belting und Danto \u00fcber die Kunst und ihr Los. In: Das Ende der Kunst als Anfang&nbsp; freier Kunst. Hrsg. von K. Vieweg, F. Iannelli, F. Vercellone, Fink, M\u00fcnchen 2015, S. 117-132. Federica Pitillo, Premessa a Juliane&#8230;<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/bacheca.uniroma3.it\/hpat\/texts\/contemporary-resonances\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":219,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":0,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/424\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/219"}],"wp:attachment":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/media?parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}