{"id":419,"date":"2019-08-02T15:58:22","date_gmt":"2019-08-02T13:58:22","guid":{"rendered":"http:\/\/filosofiacomunicazionespettacolo.uniroma3.it\/hpat\/?page_id=419"},"modified":"2020-06-10T13:27:51","modified_gmt":"2020-06-10T11:27:51","slug":"aesthetics","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/hpat\/texts\/aesthetics\/","title":{"rendered":"Aesthetics"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Art<\/h4>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/F.-Campana-Lattualita\u0300-della-filosofia-hegeliana-dellarte-come-problemat.pdf\">Francesco Campana,<\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/F.-Campana-Lattualita\u0300-della-filosofia-hegeliana-dellarte-come-problemat.pdf\"> L\u2019attualit\u00e0 della filosofia hegeliana dell\u2019arte come problema<\/a><\/em><\/p>\n\n\n\n<p>In: Verifiche, Hegel\u2019s Philosophy of Art, Annata: XLV Anno: 2016 Numero: 1-2 Mese: Gennaio-Dicembre , pp. 13-71&nbsp; <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/A.-P.-OLIVIER-L-arte-\u00e8-cristiana.pdf\">Alain Patrick Olivier, <em>L&#8217;arte \u00e8 cristiana? <\/em><\/a><\/p>\n\n\n\n<p>In: Arte, religione e politica in Hegel, (ed. by Francesca Iannelli) Pisa 2013, pp. 69-77<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/DAngelo-Hegel.pdf\">Paolo D&#8217;Angelo, <em>L&#8217;arte come &#8220;maestra dei popoli&#8221;<\/em><\/a><\/p>\n\n\n\n<p>In: Arte, religione e politica in Hegel, (ed. by Francesca Iannelli) Pisa 2013, pp.  115-129<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/05\/M.-Farina-2015-The-Symbolic-Role-of-Art.pdf\">Mario Farina, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/05\/M.-Farina-2015-The-Symbolic-Role-of-Art.pdf\">The Symbolic Role of Art<\/a><\/em><\/p>\n\n\n\n<p>In: Hegel-Jahrbuch 2014. Hegel gegen Hegel. Hrsg. von A. Arndt. Akademie Verlag, Berlin 2015, S. 11-16<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/Caramelli-preprint.pdf\">Eleonora Caramelli, <em>Hegel e la metafora. Tra poetica e filosofia<\/em><\/a><\/p>\n\n\n\n<p>In: Estetica. studi e ricerche, 1\/2017, pp. 15-30.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2020\/06\/Die-go\u0308ttliche-Naturder-Sprache-bei-Hegel-2020.pdf\">Denis Thouard,&nbsp;Hegel und die \u201eg\u00f6ttliche\u201c Natur der Sprache.<\/a><\/p>\n\n\n\n<p>In:&nbsp;Schleiermacher \/ Hegel.&nbsp;HEGEL-JAHRBUCH.&nbsp;Herausgegeben vonBrady Bowman, Myriam Gerhard, Jure Zovko.&nbsp; <br>Sonderband 13.&nbsp;Duncker &amp; Humblot \u00b7 Berlin 2020.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/05\/M.-Farina-ed.-by-2015-Forum.-After-the-Beautiful.pdf\">Mario Farina (ed. by),  <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/05\/M.-Farina-ed.-by-2015-Forum.-After-the-Beautiful.pdf\">Forum. After the beautiful. Hegel and the philosophy of pictorial modernism<\/a><\/em><\/p>\n\n\n\n<p>In: Lebenswelt, 7 (2015), pp.1-40<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h4 class=\"wp-block-heading\">End of Art<\/h4>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/4.-Iannelli-Tod-Ende-Aufl\u00f6sung-der-Kunst-\u00dcberlegungen-\u00fcber-Hegel-und-Danto-2015.pdf\">Francesca Iannelli, <em>Tod,Ende, Aufl\u00f6sung der Kunst? \u00dcberlegungen \u00fcber Hegel und Danto<\/em><\/a>.<br>In: Hegel-Jahrbuch 2014. Hegel gegen Hegel. Hrsg. von A. Arndt. Akademie Verlag, Berlin 2015, S. 17-22.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/www.fink.de\/uploads\/tx_mbooks\/9783770558551_leseprobe.pdf\">Klaus Vieweg, <em>Die romantische Kunst als Anfang freier Kunst. Hegel \u00fcber das Ende der Kunst und das Ende der Geschichte<\/em><\/a><br>In: Das Ende der Kunst als Anfang&nbsp; freier Kunst, hrsg.von F. Iannelli, F. Vercellone, K. Vieweg, M\u00fcnchen: Fink 2015<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/hal.archives-ouvertes.fr\/hal-01705884\/document\">Alain Patrick Olivier,&nbsp; <em>Hegel\u2019s Last Lectures on Aesthetics in Berlin 1828\/29 and the Contemporary Debates on the End of Art.<\/em> <\/a><\/p>\n\n\n\n<p>Proceedings of the European Society for Aesthetics, 2017, pp. 385-397. hal-01705884<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/F.-Campana-Hegels-These-vom-Ende-der-Kunst-und-das-literarische-Kunstwerk-in-Das-Ende-der-Kunst-als-Anfang-freier-Kunst.pdf\">Francesco Campana, <em>Hegels These vom Ende der Kunst und das literarische Kunstwerk. <\/em><\/a><\/p>\n\n\n\n<p>In: <em>Das Ende der Kunst als Anfang freier Kunst, <\/em>hrsg. von Klaus Vieweg, Francesca Iannelli, Federico\nVercellone,&nbsp; Paderborn : Wilhelm Fink, 2015, S. 65\u201380<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/Schimmenti_Bruno-Bauer-e-il-disseppellimento-dellarte.pdf\">Gabriele Schimmenti, <\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/Schimmenti_Bruno-Bauer-e-il-disseppellimento-dellarte.pdf\">Bruno Bauer e il (dis)seppellimento dell\u2019arte. Riflessioni sulla tesi della dissoluzione della religione nell\u2019arte<\/a><\/em> <\/p>\n\n\n\n<p>In: B. Bauer, <em>Sui principi del bello<\/em>, D. Moggach e G. Schimmenti (a cura di), Palermo University Press, Palermo 2018, pp. 65-82.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/The_Young_Marx_between_the_End_of_Art_an.pdf\">Gabriele Schimmenti,&nbsp;<\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/07\/The_Young_Marx_between_the_End_of_Art_an.pdf\">The Young Marx between&nbsp;\u2018the End of Art\u2019 and \u2018the Future of Art\u2019<\/a><\/em><\/p>\n\n\n\n<p>In: F. Dorsch, D.-E. Ratiu (eds. by), \u201cProceedings of the European\nSociety for Aesthetics \u201d, Vol. 8, The European Society for Aesthetics, Fribourg&nbsp;, 2016, pp. 404-416.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Hegel-Poesia-e-morte-dellarte.pdf\">Markus Ophaelders:<\/a><em><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/09\/Hegel-Poesia-e-morte-dellarte.pdf\">Poesia e morte dell\u2019arte.<\/a><\/em><\/p>\n\n\n\n<p>In:&nbsp;<em>L\u2019estetica di Hegel<\/em>, a cura di Alberto Siani e Mario Farina, il&nbsp;Mulino, Bologna 2014, pp. 211-228.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Francesco Campana, L\u2019attualit\u00e0 della filosofia hegeliana dell\u2019arte come problema In: Verifiche, Hegel\u2019s Philosophy of Art, Annata: XLV Anno: 2016 Numero: 1-2 Mese: Gennaio-Dicembre , pp. 13-71&nbsp; Alain Patrick Olivier, L&#8217;arte \u00e8 cristiana? In: Arte, religione e politica in Hegel, (ed. by Francesca Iannelli) Pisa 2013, pp. 69-77 Paolo D&#8217;Angelo,&#8230;<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/bacheca.uniroma3.it\/hpat\/texts\/aesthetics\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":219,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-419","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/comments?post=419"}],"version-history":[{"count":2,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/419\/revisions"}],"predecessor-version":[{"id":775,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/419\/revisions\/775"}],"up":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/219"}],"wp:attachment":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/media?parent=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}