{"id":323,"date":"2019-06-24T13:26:28","date_gmt":"2019-06-24T11:26:28","guid":{"rendered":"http:\/\/filosofiacomunicazionespettacolo.uniroma3.it\/hpat\/?page_id=323"},"modified":"2019-06-24T13:26:28","modified_gmt":"2019-06-24T11:26:28","slug":"olivia-vieweg","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/hpat\/connections\/olivia-vieweg\/","title":{"rendered":"Olivia Vieweg"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2019\/06\/olivia-vieweg_.jpg\" alt=\"\" class=\"wp-image-324\" width=\"300\" height=\"350\" \/><\/figure><\/div>\n\n\n\n<p>Olivia&nbsp;Vieweg&nbsp;is a&nbsp;German screenwriter and a&nbsp;graphic novelist.&nbsp;Her graphic novel&nbsp;\u201cEndzeit\u201d &nbsp; inspired the&nbsp;director Carolina Hellsgard in the movie&nbsp;<em>Ever After<\/em>, set in&nbsp;apocalyptic times, when&nbsp;zombies&nbsp;have taken over Germany&nbsp;and perhaps even&nbsp;the rest of the world.&nbsp;Two young women travel across this post-zombie-apocalyptic Germany in which most of humanity has been wiped out.&nbsp;Many are the Hegelian&nbsp;resonances in the novel and in&nbsp;the movie, such as the controversial thesis of the end of history&nbsp;and of&nbsp;the apocalypse that with different meanings appears in Hegel&#8217;s Philosophy and has been&nbsp;taken up by Marx,&nbsp;Kojeve,&nbsp;Fukuyama and Danto.&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h4 class=\"wp-block-heading\">Review  Frankfurter Allgemeine Zeitung <\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/www.faz.net\/aktuell\/feuilleton\/kino\/video-filmkritiken\/mehr-als-zombies-filmkritik-zu-endzeit-von-carolina-hellsgard-16343020.html\">Neuer deutscher Unheimlichkeitsheimatfilm<\/a><\/h5>\n\n\n\n<p>Carolina Hellsg\u00e5rds \u201eEndzeit\u201c wirkt anfangs wie eine klassische  Zombiegeschichte. Doch dann f\u00fchrt uns der Film in ganz andere Gefilde. <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h4 class=\"wp-block-heading\">Review The New York Times <\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><a href=\"https:\/\/www.nytimes.com\/2019\/06\/20\/movies\/endzeit-ever-after-review.html\">\u2018Endzeit\u2019 Review: Once Upon a Zombie Apocalypse<\/a><\/h5>\n\n\n\n<p>A German movie goes into the woods with the dead, morphing into a fairy tale that is by turns uneasy and beguiling. <\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<p><a href=\"https:\/\/www.olivia-vieweg.de\/\">https:\/\/www.olivia-vieweg.de\/<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olivia&nbsp;Vieweg&nbsp;is a&nbsp;German screenwriter and a&nbsp;graphic novelist.&nbsp;Her graphic novel&nbsp;\u201cEndzeit\u201d &nbsp; inspired the&nbsp;director Carolina Hellsgard in the movie&nbsp;Ever After, set in&nbsp;apocalyptic times, when&nbsp;zombies&nbsp;have taken over Germany&nbsp;and perhaps even&nbsp;the rest of the world.&nbsp;Two young women travel across this post-zombie-apocalyptic Germany in which most of humanity has been wiped out.&nbsp;Many are the Hegelian&nbsp;resonances in&#8230;<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/bacheca.uniroma3.it\/hpat\/connections\/olivia-vieweg\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":301,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-323","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":0,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/301"}],"wp:attachment":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/media?parent=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}