{"id":137,"date":"2018-12-03T14:50:27","date_gmt":"2018-12-03T13:50:27","guid":{"rendered":"http:\/\/filosofiacomunicazionespettacolo.uniroma3.it\/hpat\/?page_id=137"},"modified":"2022-09-14T12:00:50","modified_gmt":"2022-09-14T10:00:50","slug":"publications-related-to-the-project","status":"publish","type":"page","link":"https:\/\/bacheca.uniroma3.it\/hpat\/publications-and-calls\/publications-related-to-the-project\/","title":{"rendered":"Publications related to the project"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns: 26% auto\">\n<figure class=\"wp-block-media-text__media\"><hr \/><img loading=\"lazy\" decoding=\"async\" width=\"536\" height=\"827\" class=\"wp-image-1179 size-full\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2022\/09\/9788857592985_0_536_0_75.jpg\" alt=\"\" srcset=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2022\/09\/9788857592985_0_536_0_75.jpg 536w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2022\/09\/9788857592985_0_536_0_75-194x300.jpg 194w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2022\/09\/9788857592985_0_536_0_75-97x150.jpg 97w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><hr \/><\/figure>\n<div class=\"wp-block-media-text__content\"><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2022\/09\/956-1828-1-SM-1.pdf\">Francesca Iannelli, Alain Patrick Olivier<br \/>En traduisant Hegel. Traducendo Hegel: Aesthetic theory and\/in Translation practive<\/a><br \/>\n<p>In: \u00a0\u00a0<em>Studi di Estetica<\/em>\u00a022, Estetica e Traduzione, ed. by Eleonora Caramelli and Francesco Cattaneo, pp. 157-197.<\/p>\n<\/div>\n<\/div>\n<p>\u00a0<\/p>\n<\/div><\/div>\n\n\n\n<hr \/>\n<p>\u00a0<\/p>\n\n\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"201\" height=\"251\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2020\/12\/Unknown-36.jpeg\" alt=\"\" class=\"wp-image-927 size-full\" srcset=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2020\/12\/Unknown-36.jpeg 201w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2020\/12\/Unknown-36-120x150.jpeg 120w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"http:\/\/www.verificheonline.net\/articoli\/translating-hegels-aesthetics-in-france-and-italy-a-comparative-approach\/\">Francesca Iannelli, Alain Patrick Olivier: <em>Translating Hegel\u2019s Aesthetics in France and Italy: A Comparative Approach<\/em>.&nbsp;<\/a><br><br>In:&nbsp;&nbsp;Hegel and\/in\/on Translation,&nbsp;XLIX , No. 1-2 ( 2020 ), ed. by Sa\u0161a Hrnjez and Elena Nardelli, pp. 203-225<\/p>\n\n\n<\/div><\/div>\n<\/div><\/div>\n\n\n<p>\u00a0<\/p>\n<hr \/>\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-155 size-medium\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie-206x300.jpg 206w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie-703x1024.jpg 703w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie-768x1118.jpg 768w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-et-la-musique-Centre-Atlantique-de-Philosophie.jpg 932w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/a><a href=\"http:\/\/www.caphi.univ-nantes.fr\/Hegel-et-la-musique\">Alain Patrick Olivier,\u00a0 <em>Hegel et la Musique\u00a0: de l\u2019exp\u00e9rience esth\u00e9tique \u00e0 la sp\u00e9culation philosophique<\/em>. <\/a><br \/>Pr\u00e9face de Bernard Bourgeois. Paris\u00a0: Libraire Honor\u00e9 Champion, Collection \u00ab\u00a0Musique et musicologie\u00a0\u00bb, 2003, 304 p.<br \/>ISBN 2-7453-0830-0.<\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Esth\u00e9tique-Manuscrit-de-Victor-Cousin.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-157 alignleft\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Esth\u00e9tique-Manuscrit-de-Victor-Cousin-188x300.png\" alt=\"\" width=\"188\" height=\"300\" srcset=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Esth\u00e9tique-Manuscrit-de-Victor-Cousin-188x300.png 188w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Esth\u00e9tique-Manuscrit-de-Victor-Cousin.png 200w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" \/><\/a><a href=\"http:\/\/www.vrin.fr\/book.php?code=9782711617579\">Alain Patrick Olivier, (\u00e9d.) G. W. F. Hegel, <em>Esth\u00e9tique\u00a0: manuscrit in\u00e9dit de Victor Cousin<\/em>.<\/a><br \/>Transcription, pr\u00e9sentation et notes. Avant-propos d\u2019Annemarie Gethmann-Siefert. Paris\u00a0: Librairie philosophique J. Vrin, Collection \u00ab\u00a0Textes philosophiques\u00a0\u00bb, 2005, 160 p.<br \/>ISBN 2-7116-1757-2.<\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Das-Siegel-der-Moderne.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-158\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Das-Siegel-der-Moderne-203x300.png\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Das-Siegel-der-Moderne-203x300.png 203w, https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Das-Siegel-der-Moderne.png 212w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><a href=\"https:\/\/www.fink.de\/katalog\/titel\/978-3-7705-4424-0.html\">Francesca Iannelli, <em>Das Siegel der Moderne.<\/em> <em>Hegels Bestimmung des H\u00e4sslichen in der Vorlesungen zur \u00c4sthetik und die Rezeption bei den Hegelianern<\/em><\/a><br \/>M\u00fcnchen: Fink 2007, 368 S.<br \/>ISBN 978-3-7705-4424-0.<\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p><a href=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-la-gen\u00e8se-de-lesth\u00e9tique.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-159\" src=\"https:\/\/bacheca.uniroma3.it\/hpat\/wp-content\/uploads\/sites\/3\/2018\/12\/Hegel-la-gen\u00e8se-de-lesth\u00e9tique.jpg\" alt=\"\" width=\"202\" height=\"250\" \/><\/a><a href=\"http:\/\/pur-editions.fr\/detail.php?idOuv=1932\">Alain Patrick Olivier, <em>Hegel\u00a0: La Gen\u00e8se de l\u2019Esth\u00e9tique<\/em>.<\/a><br \/>Rennes\u00a0: Presses Universitaires de Rennes, Collection \u00ab\u00a0Aesthetica\u00a0\u00bb, 2008, 240 p.<br \/>ISBN 978-2-7535-0736-4 .<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 Alain Patrick Olivier,\u00a0 Hegel et la Musique\u00a0: de l\u2019exp\u00e9rience esth\u00e9tique \u00e0 la sp\u00e9culation philosophique. Pr\u00e9face de Bernard Bourgeois. Paris\u00a0: Libraire Honor\u00e9 Champion, Collection \u00ab\u00a0Musique et musicologie\u00a0\u00bb, 2003, 304 p.ISBN 2-7453-0830-0. \u00a0 Alain Patrick Olivier, (\u00e9d.) G. W. F. Hegel, Esth\u00e9tique\u00a0: manuscrit in\u00e9dit de Victor Cousin.Transcription, pr\u00e9sentation et notes. Avant-propos&#8230;<\/p>\n<p class=\"continue-reading-button\"> <a class=\"continue-reading-link\" href=\"https:\/\/bacheca.uniroma3.it\/hpat\/publications-and-calls\/publications-related-to-the-project\/\">Continue reading<i class=\"crycon-right-dir\"><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":10,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-137","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":10,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/137\/revisions"}],"predecessor-version":[{"id":1185,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/137\/revisions\/1185"}],"up":[{"embeddable":true,"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/pages\/10"}],"wp:attachment":[{"href":"https:\/\/bacheca.uniroma3.it\/hpat\/wp-json\/wp\/v2\/media?parent=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}